Tuesday, 28 January 2014

We Interrupt Your Regularly-Scheduled Programming

What originally started out as a few tweets in support of Bell ‘Let’s Talk’ day inadvertently expanded into a full-blown blog post. So I beg your pardon for a moment to get serious on you all before returning you to your regularly-scheduled movie reviews and pop culture references.

I’ll be honest with you – I’ve started and then stopped writing this post a few times. I debated whether I should write it at all. I wanted to get the words right, but natural, inner snark that tends to pour through when I’m writing keeps trying to come out. But it’s hard to be snarky. It’s a difficult subject. I hope I’ve done my best here. I’m not writing as a cry for help. I’m not writing as a plea for attention. I’m simply writing with the hope that my personal experiences can encourage others to seek help, even if they’re not sure if they need it. I think the phrase, “Let’s Talk” is quite apropos when dealing with mental illness.

My grandfather was diagnosed with schizophrenia when he was 32. It had a ripple effect on my entire family for as long as I can remember. He dealt with it the best he could – BC Mental Health saw him regularly and my mother was as supportive as she could be. I had read something somewhere that said that schizophrenia tended to skip a generation - and when you’re a hypochondriac like me and any headache is a potential brain tumour, this sort of information digs deep into your psyche. But, 34 years on, it would appear that I’ve been spared that disorder. That’s not why I’m writing this post, though.

I think most of my friends would describe me as a happy (maybe), friendly (hopefully) sort. As a result, it would likely surprise them to hear that I’ve struggled with anxiety and depression since high school.

Now the anxiety bit isn’t news, exactly – I’ve talked openly about it in the past. It’s mainly a social anxiety – I shut down when I confront new people. It tends to manifest as a crippling shyness. I can’t hold a conversation with someone I’ve known for more than a month. Which can make it difficult to make new friends – but as a result, the friends I do keep in my (relatively) closed circle are the best of the best. They had the patience to hang around, in some cases, or poke and prod until I have no excuse but to start talking, in others. There is no hyperbole when I say my friends are all wonderful people and I love each and every one of them.

The depression, however, is… trickier. It’s insidious. It’ll dig in and I won’t quite be sure where it’s coming from, yet it never fully goes away either. It’ll come in waves – some days I’m perfectly fine. Some days, it’s only present in terms of small, nagging, self-doubt – like needles poking my cerebral cortex. Some days it manifests in full-on, blind rage at nothing in particular – like my mind is staging some act of revolt (these days are the ones that scare me the most, if I’m being perfectly honest). Other days, it’s just hard to get out of bed in the morning (and not in an ‘I only got 4 hours of sleep’ sort of way, either). One thing I can always count on, though – once I start feeling bad, it can quickly snowball. You see, I have a decent life – I have a loving family, great friends, a decent job – so my brain essentially starts thinking, “What is this bullshit? You have no right to be depressed. Get off your ass and go, damnit! Think of the poor people who are unemployed, or who just lost their loved ones… THOSE are the people who have a right to be sad. Not you.” Which, of course, is illogical. I *know* it’s illogical. Sometimes we can’t help the way we feel any more than we can control the weather. But the point is, my brain doesn’t care – it lays this big guilt-trip on me, which then feeds into a healthy dose of self-loathing, which makes me even more anxious, which makes me more depressed, which…

You see what I mean? Insidious.

The façade I put on – and sometimes it really *is* a façade, despite the fact that spending time with my friends is something I love doing – probably does a great job of convincing my friends that everything is fine, when it’s often not.

The low point for me was a few years ago. 2011, to be precise. I was experiencing some *severe* anxiety that year. It was manifesting in all sorts of nasty physical symptoms. I became convinced I was dying. It affected my work, my family life... Anyway, I was in my car driving along 49th Avenue on my way to work. A big dump truck was coming the opposite direction and I found myself thinking… if I just let the car edge into the oncoming lane, that’d be it. It’d be over. Simple. It was the most selfish, terrifying thought I’ve ever had. Of course, nothing came of it – the dump truck passed and I drove on, yet I found myself locked on that idea. Every car that came in the opposite direction became another opportunity to right this perceived wrong. Eventually, I pulled over, started hyperventilating, then broke down and wept for about 10 minutes. Then I looked at myself in the mirror, steeled my reserve and continued on my way to work. The strangest thing about that whole incident was the fact that what stuck with me more was the guilt about being five minutes late for work (No, I didn’t get in trouble). I think prior to this post going live, I’ve told maybe three people that story.

The moral of this story is that it’s never easy to tell if people are struggling. Sometimes they’ll do anything in their power to make it look like everything’s all right. In short, I could be the poster-boy for Bell’s whole campaign (if I was better-looking and more charismatic, at least).

Despite everything, I continued to compartmentalize and kept everything in until last year. It was at PAX, of all places, where I attended a panel by the Take This project (http://www.takethis.org). I’ll tell you - it takes a lot of bravery to sit in front of a room full of 500 people and basically bare your soul (remember – this is at a video game conference, so while the panelists are talking about the lowest points in their lives, people are playing Halo next door) but that’s what these individuals all did. It may seem clichéd to say, but it changed my life. My wife and I returned to the hotel after that panel and I broke down – I talked for almost two hours (again, this is during the middle of PAX, mind you, which is usually my happiest weekend of the year). She listened, held me, supported me. And afterwards… I felt a little better. It wasn’t magic. I wasn’t instantly ‘fixed’. I still have good days and bad days. But my point is this - you don’t *need* to suffer alone. Every little bit helps. Find a good friend who you trust – they’ll listen. They may not be able to *do* anything other than saying, “Jeez, that sucks, dude…” - but that’s often not the point. It’s the listening that matters.

I’m not a Bell customer. I’m not a stockholder in their company. I have no vested interest in them at all, but I respect the idea behind ‘Bell Let’s Talk Day’. Because we should be able to talk about this. There has long been an unfair, negative stigma toward mental illness.

Smash the stigma. Let’s start talking.

Friday, 3 January 2014

5 Favourite Films of 2013 (With Special Bonus Content!)

2013 was just flat-out a great year for movies. From the triumphant returns of two of our favourite Avengers (In Iron Man 3 and Thor: The Dark World) to Star Trek bringing arguably its most-famed villain out of mothballs – and having Sherlock himself play him – there was a lot to be excited about.

There are occasions when I have a hard time coming up with 5 films for my year-end list (I think of 2005 in particular when it was Serenity, Batman Begins and.. well..). This year it was hard coming up with 5 films, as well, but for a different reason altogether – there were a tonne of legitimately ‘great’ films this year. One has worked its way into my Top-10 of all-time, another was a more-than-worthy sequel to another one of my All-Time-Top-10 and the other three are incredible films in their own right that should all garner significant awards attention.

In honour of that, I’m going to do something I’ve never done before – I’m starting off with an ‘honourable mention’ section in order to ensure that some of the films that I’d otherwise have to leave off get their due (especially since I was so damned lax with my movie reviews this past year – suffice it to say, they all deserved their fair share of bacon).

Honourable Mentions

Frozen - This Disneyfied take on the Hans Christien Andersen classic, ‘The Snow Queen’ was disarming in all the right ways - Charming performances, a wonderful soundtrack and a powerful, uplifting message. Plus it managed to sneak an Arrested Development reference in there for those who were keen enough to spot it. What’s not to love?

Star Trek Into Darkness - This film’s deceptive ad campaign managed to keep me in the dark who Benedict Cumberbatch’s character was – right up until they started talking about the Eugenics Wars (KHAAAAAAAAAAN!). At that point, I grinned like an idiot, sat back and thoroughly enjoyed this well-paced, action-oriented sequel. The Trek ‘reboot’ was one of my favourites of 2009, so I’m especially pleased that this film turned out as well as it did. … Plus, did I mention Benedict Cumberbatch. … CUMBERBATCH!

Catching Fire - The second novel in the Hunger Games trilogy was my favourite of the three books, so I was eagerly looking forward to the film adaptation – specifically, the portrayal of two of my favourite characters in Johanna and Finnick. I’m pleased to say that the casting in both instances was spot-on. The action-sequences were tight and the new director did away with that damned, handheld, shaky-cam. In short, it was everything I hoped it would be. Now, the real trick will be seeing if they can take the very real issues that exist with Mockingjay, the third novel in the trilogy, and seeing if they can iron them out for the theatrical release. We shall see.

Now, without further adieu -

Top-5 Films of 2013

5. Captain Phillips - For my money, one of the toughest genres to do right is the ‘based on real events’ thriller. Because the event already happened in real life, anyone with real-world knowledge of the situation can have a tough time buying in (for instance, if we know the character survives their ordeal, do we care when someone pulls a gun on them?). The great films in the genre manage to succeed in spite of this with memorable performances by the leads and creating spectacular set-pieces that manage to stay grounded and within the boundaries set up by the true-to-life situation. Captain Phillips succeeds on both of those fronts. Tom Hanks’ titular character is a model everyman (a bit of a hard-ass to his employees, but only because he takes his job seriously) thrown into an impossible situation when Somali pirates take over his Maersk freighter. Director Paul Greengrass is wise to humanize the pirates (giving them ample screen time, back stories, etc.) , as well, so the film doesn’t just play out as simply a ‘good vs evil’ morality play - which serves to make the climactic confrontation that much more tense. In all, it’s a solid thriller with a harrowing climax and my fifth favourite film of the year.

4. The World’s End - Edgar Wright, Simon Pegg and Nick Frost’s conclusion to their so-called ‘Cornetto’ trilogy (so named because a character in the film eats a different-flavoured Cornetto ice cream cone in each film – they otherwise literally have nothing in common, short of all being awesome) is quite possibly the greatest high school reunion / pub crawl / alien invasion movie of all-time. Pegg stars as Gary King, the former King (hurr hurr) of his high school, who has fallen on tougher times. In a bid to try and regain some semblance of his former glory, he meets up with his old chums so they might conquer the elusive ‘Golden Mile’ (12 pubs, 12 pints, 1 glorious night!). Of course, as you'd expect, his hometown has been taken over by alien-robot invaders, which serves to complicate matters somewhat. What makes the film so great is that – like its Cornetto sibling, Shaun of the Dead – it recognizes the trappings of the film (in this case, alien invasion sci-fi) and plays with it in a manner that’s at once deconstructing, yet reverential. It never parodies the genre, though the film is unquestionably one of the funniest of the year on its own merits. My second-favourite of the Cornetto trilogy (behind the aforementioned brilliance that is Shaun..) and my fourth-favourite movie of the calendar year.

3. The Wolf of Wall Street - Speaking of funny films, The Wolf of Wall Street is definitely hilarious in its own, depraved way. Think about that for a second – a Martin Scorcese film starring Leonardo DiCaprio was one of the funniest movies of the year. It’s been said that a great character performance can make a good film great (Nicholson in One Flew Over the Cuckoo’s Nest) and a great film incredible (Ledger in The Dark Knight). DiCaprio’s performance as the titular Wolf (chaotic-neutral stockbroker Jordan Belfort) is one such performance. He’s utterly mesmerizing. Unhinged, unscrupulous and unapologetically debauched, he’ll go down as one of the great anti-heroes of modern cinema. A lot of people have drawn comparisons to Pacino’s Scarface, but the truth of the matter is that Al was chewing scenery for a lot of that film. Leo’s performance is more nuanced. You see glimpses there, behind his rich, entitled veneer, that hint of a man who worked hard for what he has – and is now fighting furiously to hold onto it. It’s an incredible performance that elevates this very good film to something great – and my third-favourite film of 2013.

2. Before Midnight - You may be aware that the Richard Linklater-directed Before Sunrise is one of my ten-favourite films of all-time. That film was released in 1995. 9 years after that, we got the sequel, Before Sunset (one of my favourites of 2004, just behind Spider-Man 2). Now, 9 years after that, we are gifted the third film in this unlikely franchise. I use the term ‘gifted’ purposefully. The movies never make much money. Indeed, they barely qualify as wide releases. Yet here we are, nine years after the second and a shocking 18 years after the first movie (my God, if that doesn’t make you feel old, nothing will) getting to revisit these two characters that we’ve come to know and love. It’s like stopping by to catch up with good friends. 18 years after their first chance meeting on a train in Vienna, Ethan Hawke’s Jesse and Julie Delpy’s Celine are now entering middle-age. We learn they never got married, but they live together with twin girls of their own. We get to meet Jesse’s son from his previous marriage (the one that was ostensibly dissolved following the couple’s second meeting in Paris during the events of Before Midnight). We discover that Jesse moved to France to be with Celine, but he’s quickly becoming homesick. Just snippets, but they paint a picture of a relationship 18 years in the making. If the first film was about the joys of young love and the second film was about second chances, this film is about relationships – and both the good things and bad that come with them. Honest, thoughtful and sweet, it was my second-favourite film of 2013.

1. Gravity - ‘Revolutionary’ is a film term that gets thrown around like confetti sometimes, but there are the rare cases when such hyperbole is actually warranted. Gravity will change the way you view FX-driven films. It’s tense, taut, thrilling filmmaking with the most immersive use of 3D in the history of cinema. You feel like you’re out there, floating in space. It’s an incredible, technical marvel that’s made human by tremendous performances by the two leads (Sandra Bullock and George Clooney). I’m sure you’re all sick of hearing me rave about it after my previous review, but to put it simply - a triumph and the best film of 2013.

What I’m Playing: Dead Rising 3 on X-Box One

What I’m Reading: Fables (Vertigo), Walking Dead vol. 19 (Image)

Wednesday, 23 October 2013

Gravity Will Turn Your Opinion of 3D Films Upside Down

‘Game-changer’ is a phrase I’ve never been a huge fan of. It feels contrived and forced at the best of times – and the fact that it’s been used to describe everything from video games to toilet paper lessens its effect somewhat. (Honestly, does new, super-absorbent Charmin really constitute a ‘game-changing’ revolution?) With that being said, however, if there was ever a movie that probably deserved such a title, it would be Gravity. The film will shift your perceptions of what FX-driven, 3D-cinema can do. Its tight, concise narrative drives the action forward relentlessly in one of the most intense movie-going experiences you’ll see this year – if not of all-time.

The minimalist story involves astronauts (George Clooney as the mission captain, Matt Kowalski and Sandra Bullock as specialist Ryan Stone) installing a new camera on the Hubble space telescope. After 5 minutes of breathtaking FX shots (Clooney’s Kowalski, remarking on his last spacewalk before retirement, intones, “You can’t beat the view.”) disaster strikes and the remaining 90 minutes are spent gripping your armrests and holding your breath.

I’m not a fan of 3D. I think it’s a gimmicky cash-grab that studios tack on in post when they want to artificially inflate a film’s box office by charging higher ticket prices. That being said, this film is the best argument anyone could ever make for the medium. You can’t help but feel like it must have felt back in the '70s when they saw Kubrick’s ‘2001’ for the first time. Or better still - when they saw Georges Melies’ ‘A Trip to the Moon’ way back in 1902. It feels downright revolutionary.

Never before has 3D been used so effectively to draw you into a film and help immerse you in the experience. Avatar *looked* cool, but it didn’t manage anything close to this. Using various POV and FX-shots, Alfonso Cuaron succeeds in making the audience part of the film – you’ll feel like you’re out there floating yourself. The dull, muted sound effects (because space) serve to add to the experience. There are times when the only sound you hear is breathing and the rapid thump-thump-thump of the character’s heart. Soon you’ll realize it’s not just their heart that’s pounding, either. It’s an incredible experience and it simply would not have been possible without the use of 3D.

Of course, for all the technical brilliance demonstrated, the movie would fall flat were it not for the rock-solid performances of the two leads. Though very little exposition is provided, they manage to craft characters we care for – and when you think that basically the entire movie is just the two of them in front of a green screen, that’s an incredible feat. Though Bullock’s Ryan Stone is unquestionably the star of the film, I found George Clooney’s performance managed to eclipse it as his all-American space hero, Captain Stanley Kowalski, could’ve easily fallen into simple caricature (like my esteemed friend noted, a live-action Buzz Lightyear), however he manages to keep him grounded, relatable and likable.

Director Alfonso Cuaron (who has previously filmed the incredible 2006 dystopian sci-fi gem, Children of Men, as well as the best Harry Potter movie, The Prisoner of Azkaban, among others) keeps the pace up and barely gives his viewers a chance to catch their breath. It’s a dizzying film, but given its subject matter, the breakneck pace suits it perfectly. It clocks in at just over an hour and a half and by the time it’s through you’ll need to take a moment to decompress before leaving the theater. The aforementioned CG-aided cinematography simply needs to be seen to be believed and he utilizes POV shots in an absorbing, engrossing manner.

Gravity is nothing short of a filmmaking triumph. It’s a mesmerizing spectacle. An utter joy to watch that serves as a master-class in pacing and shows that great science-fiction doesn’t have to take place in a galaxy far, far away. Its use of 3D will serve as the new standard-bearer for the industry and is one of the only movies I will ever recommend that you *must* see in that specific format. Better still, see it in IMAX. See it in 3D. Just see it. Space is a vacuum and this film will take your breath away.

Geek Score: 10 out of 10 Bacon Strips (Golden Bacon Award)

What I’m Playing: GTA V for X-Box 360

What I’m Reading: X-Files season 10 (IDW), Batman Zero Year (Scott Snyder)

Wednesday, 26 June 2013

Hands Off My Franchise!

Or: How I learned to Stop Worrying and Love Pop Culture

I'm not sure if I mentioned this before, but I'm something of a zombie afficionado. I've seen most of the great zombie films - and quite a few of the not-so-great ones, as well. I have a bookshelf that has two full shelves of zombie literature. Without a doubt, the crown jewel - the piece de resistance, if you will - would have to be Max Brooks' sprawling epic, World War Z: The Oral History of the Zombie War. It's fantastic. More than a simple zombie book, it takes a global scope and really shines a light on the human condition - how do we react during periods of unrest? The conceit is that the novel doesn't really have a main character - the narrator (Brooks himself, ostensibly) travels the globe, interviewing various people and recording their memories of the great zombie war, some ten years after humanity had 'won'. The result is a series of vignettes that piece together a sprawling epic that is, at times chilling, believable (especially by genre standards) and utterly human. The book is as much about humanity as it is about zombies and it's written with incredibly-intelligent prose.

I've read it cover-to-cover five times and every time I read it, I love it all the more. Forget zombie novels, it's my favourite novel, period. I'm something of a Patient Zero in that I have lent my copy out to five different people now and each person who has read it has been similarly amazed (two even bought their own copies).

So, suffice it to say, I'm a bit of a zealot.

When word first came out in 2009 that Brad Pitt and Leonardo DiCaprio's production companies were engaged in a bidding war over the rights to Brooks' novel I was both excited and terrified. I was excited because the idea of a big-budget, globe-trotting zombie epic would be the be-all, end-all, 'I can die a happy man' sort of once-in-a-lifetime (or so I thought at the time) deal. Simultaneously, I was terrified, because there was the very real potential of Hollywood fucking up this perfect, beautiful little thing that I loved so dearly.

Keep in mind, this was somewhat ahead of the curve in terms of zombies in mainstream culture. The Walking Dead wouldn't premiere on AMC until the following August (at which point the genre officially exploded - now we have zombies on TV, zombies in music, zombies that fall in love, etc.).

Eventually, Brad Pitt won the bidding war and early reviews of the first-draft of the script (as written by J. Michael Straczynski) were unanimously positive.

I was excited.

Then, word came out that they brought in another writer to change the script in a bid to make it more 'filmable' (which, in my opinion, was bad news because the book as it was essentially was 'unfilmable' (at least not in one movie), so this had to mean they were "Hollywooding" it up a bit).

I was terrified.

Then, MORE re-writes - this time, from Drew Goddard and Damon Lindelof (whom I loved from LOST and the Star Trek reboot - and at this point I hadn't yet experienced the disappointment that is Prometheus.)

I was excited.

Then came words of endless re-shoots, release delays and, finally, a trailer that showed ... *gasp* ... FAST zombies. ... Who are JUMPING. ... And creating a literal MOUNTAIN of writhing, CGI flesh that was trying to climb over the (extremely mild spoiler here) Israel defense perimeter. In short, the trailer made it appear that the film was everything that I feared it would become. A dumbed-down, over-simplified, Hollywood version of my favourite novel of all-time.

I was inconsolable. I ranted on Twitter. I cursed Brad Pitt's name. I even spat on my DVD copy of The Curious Life of Benjamin Button. (I don't actually own that movie)

Early reviews started sneaking out and they were, surprisingly, quite positive. I'm not going to say I was emboldened, but I began to take notice again. The reviews were quick to warn you that the connection to the source material was scant, at best, but the film was an enjoyable zombie epic. Given that I had decided to shut up and give Max Brooks my money (through residuals, anyway) the moment the movie deal was signed, my mind was set. I was *going* to see this movie.

I saw the film today and it was a perfectly serviceable - indeed, even enjoyable - zombie film. If it had been called 'Brad Pitt in "Global Zompocalypse"', I might have really loved it. But, alas, it was called World War Z, and I'm stuck here, two hours after the film, ranting on the internet about 'what might have been'.

But the purpose of this post isn't to post a ranty review on the many things they did wrong, or the numerous things they could have done differently to make the film more closely resemble the source material. What I'm trying to say here, in my own, convoluted way, is that geeks, as a general rule, are passionate people. We unabashedly *love* certain things - love talking about them, love sharing them with our friends, love debating-minutiae-until-we're-blue-in-the-face about them.

But we're also fiercely protective of these things we've come to love. I've long argued that the Hipster is an offshoot off the genus, 'Geekus Sapien'. Think about it - they love music and hideous clothes almost as much as we love zombies and sci-fi. They'll debate the merits of their favourite band with anyone who'll listen, ad nauseam. But what really connects us here is the need to brag about how long we've been 'into' things. Seriously, I know a few people who've actually said, "You think the TV show is good? I read Game of Thrones when I was in tenth grade!"

As for me? "I liked zombies before they were a thing. Now everybody's all about them. I bet they've never even read Wellington's Monster trilogy. Pfft."

Here's the thing, though - we're going to have to get used to this. Hollywood is going to stripmine our beloved franchises and turn them into bastardized, Hollywood versions of themselves as 'geek' is now bigger than ever. As ironic (see? hipster) as it sounds, all of a sudden we're cool. We run shit. We're a target market. The biggest show on TV is a drama about the aftermath of a zombie apocalypse. A-list stars are actually asking for roles in a new Star Wars film. Joss Whedon is the most sought-after director in Hollywood. Tyrion Lannister won an Emmy, for pete's sake (well deserved, too, I might add).

It's a brave new world, but we're going to have to get used to giving up control of these things that we hold so dear. It's scary, I know. I have a couple of friends who have the same sort of trepidation towards the new Ender's Game movie, starring Harrison Ford, that I had regarding World War Z. To them, I can only say, I feel your pain.

But the bottom line is this - even if Hollywood cocks it up, in no way should it change the way you felt in the first place. That comic book, series of novels, etc. is still just as incredible as it was the first time you read/watched/played it. Dig it out, devour it, savour it again, pass it off to a friend.

And then hit the internet and debate the hell out of how much better the book was than the movie.

What I'm Playing:The Last of Us on PS3

What I'm Reading:100 Bullets - vol. 13 (Azzarrello / Rizzo) (The end of a truly epic series. I can't wait)

Wednesday, 19 June 2013

X-Box 180

Title shamelessly stolen from every clever Kotaku commenter

So I was all set to review Before Midnight before finding out that Microsoft has flip-flopped on their decision to enforce DRM and allow used games on the XBone. As I mentioned in my previous post, I was one of the few *proponents* of the system in its (now-outdated) iteration, so I’m a little disappointed here.

In short, rather than the brave new digital realm – complete with sharing games with friends all over the world (which was the best part of the ‘old model’ of the X-Bone that Microsoft just could never manage to properly explain to the public at large – a case of their marketing machine failing them) we see a victory of the ‘old guard’ of video games. Digital downloads cannot be ‘shared’. The idea of a game library that travels where you do requires a really large suitcase instead of a simple internet connection. Discs will be required to be in the system tray in order to play. In essence, it’ll be ‘business as usual’.

While I suppose it’s admirable that Microsoft listened to their customers (who almost universally lambasted the old model – justifiably or not), ultimately I liken this to the old explorers who were told if they sailed too far, they’d fall off the edge of the Earth … only unlike those explorers, Microsoft actually listened, turned around and sailed back to port.

Sure, nobody died of scurvy, but we didn’t find a Northwest Passage, either, right?

What I’m Reading: Batman & Robin (Peter Tomasi), Green Lantern (Geoff Johns)

What I’m Playing: The Last of Us on PS3 (It is seriously *amazing*. Believe the hype.)

Tuesday, 11 June 2013

Four Reasons Everyone Hates the X-Box One (And Why They're Bullshit)

I feel I should preface this by stating, unequivocally, I am *not* a Microsoft ‘fanboy’. I own both PS3 *and* X-Box 360, and have done so since 2006. I play them both about equally. I find the PS3’s exclusives are superior to the X-Box, but multiplatform games I tend to play on the X-Box because Live is a much better experience than PSN – and I just like the feel of the controller better.

I pre-ordered an X-Box One yesterday. The prevailing sentiment surrounding this revelation seems to be a concern that I’m suffering from some sort of head injury. Indeed, if you’d listen to the Internet right now, there’s no real point in Microsoft even going ahead with the console’s release in November. Sony’s already won. Their E3 conference was nothing more than a pointed assault on the X-Box One itself. Indeed, it was less what the PS4 can do than making fun of the so-called weak points of the X-Box One. It was the definition of negative campaigning – and it worked wonders. Nearly 84% of a recent IGN poll have stated that Sony ‘won’ E3. So, it’s over. RIP, X-Box One. It’s been fun. We’ll always have May 21, right?

But not so fast – the way I see it, there are four main points that most people finger as the biggest failings of the X-Bone (I like that. I think I’ll use it). To be honest, I think this is simply a case of the Internet overreacting (What? That NEVER happens!!!) and, actually, some of these points are more of a strength than a weakness.

4. The X-Box One Kinect Camera is spying on me! I suppose it’s only logical in a post-PRISM world that there’s a certain degree of paranoia regarding the all-seeing eye of Sauron that sits above your TV. Yes, it’s true that the Kinect has a microphone and a camera and that its default setting is to listen even in an idle state (ostensibly so you can turn on your system by voice command), but lest you be too concerned about someone sitting back at Microsoft HQ with a bag of popcorn watching you as you go about your daily life (think Carrie in the first season of Homeland) just remember that the machine’s Kinect settings are ENTIRELY ADJUSTABLE. If the idea of saying, “X-Box main screen turn on! We get signal!” doesn’t particularly interest you (and let’s be honest – the novelty will probably wear off pretty quickly), just go into your settings and either lower the sensitivity or (as I will do), turn it off altogether.

3. The X-Box One’s proprietary DRM doesn’t allow you to play used games. There is no denying this point. Because of the console’s inherent DRM technology, you don’t own a ‘game’ as much as a license to PLAY said game. To many, this seems to be a targeted attack at the used game industry (which – make no mistake – is huge right now. Even big boxes like Best Buy and Wal-Mart are getting into it) because you can’t just walk into your local GameStop and – for the low, low price of $5 off the MSRP - pick up a pre-owned copy of the latest hot title. You know what I have to say to that? Good. The used game industry is *hurting* video games as a whole. The gaming industry is a massive, billion dollar business that’s as big as it’s ever been. Why, then, are we constantly reading about huge layoffs and studios being shuttered? The reason – at least partially – is used games. When you buy a used game off the shelf, not a single penny of that goes to the developers who poured their heart and soul into the very game you’re hoping to enjoy for the next 15 to 20 hours of your life. While it’s not quite tantamount to piracy, it has essentially the same net result on the developer’s bottom line. What’s more – if there were no case for companies to worry about used game sales eating into their profit margin, the overall price for a new game could feasibly come down.

2. I can’t lend my X-Box One games to my friend. Sony’s marketing team had a brilliant little 20 second ad that they showed during their E3 panel that poked fun at the (admittedly convoluted) manner that you can go about lending a copy of your game to a friend on the X-Box. Basically, it involves sending a code to someone on your friend list which then temporarily (for a pre-determined period of time) transfers your license to your friend so they can play the game in your stead. This idea of a ‘digital license transfer’ isn’t exactly new – Ebook readers have been doing it for a couple of years now. But what everybody is so quick to gloss over is that you don’t actually have to lend your friend the *disc* itself. Because you’re just transferring a license, your friend can download a copy of the game onto their own machine and play. Now the idea of lending wonderful, downloadable Arcade games such as Braid or Mark of the Ninja becomes possible. What’s more – suddenly my friend in Winnipeg can ‘borrow’ my copy of Alan Wake, despite living literally halfway across the country. I think that’s pretty cool.

1. The X-Box One needs to be connected to the Internet to work. Let’s ignore for a second the fact that this statement is technically incorrect – it *does* need to connect to Microsoft’s servers once a day in order to authenticate or else the games won’t work, but a constant connection is not required. However, it’s true – an Internet connection is required in order to play your games. And this is a big deal because … why, exactly? Let’s be serious for a second – we’re living in The Future ™ here, people. We live in a connected world where everything from coffee shops to your local fast-food restaurant now boasts free WiFi. Whole cities are turning into giant hot-spots. In addition, a recent Reuters report stated that 53% of all people over the age of 18 own smart phones. Think about that for a moment. More than half of adults currently own a handheld device that fits in their pocket AND IS CONSTANTLY CONNECTED TO THE INTERNET. If a ‘net connection is really that hard to come by, just start up a hot spot using your iPhone and authenticate your games that way. PC gamers using Valve’s Steam system have been dealing with this ‘hardship’ for years – yet most still consider Steam to be the PC’s pre-eminent gaming platform. What’s more – the constant internet connection could actually end up being a boon for the X-Box One down the road. Thanks to cloud computing, over the course of the system’s lifespan, as MS’ cloud servers take more of the load off of your local box, developers will be able to actually stretch the bounds of what the system is capable of. Yes – your system may essentially become MORE POWERFUL over the course of its lifespan, simply by virtue of being connected to the ‘net. … But that’s terrible. Who’d want that?

In closing, Microsoft has never been afraid to drive the bus forward with regards to technological innovation. You may recall in 2002 there was a huge kerfuffle when it was announced that the nascent X-Box Live service was going to be *gasp* … broadband only! Now, 11 years on, can you even imagine anyone gaming over dial-up? The Future ™ is here, but – for the time being, at least – Sony’s new system is only promising more of the same. So that’s why I’m choosing the X-Bone – warts and all – as my preferred launch system.

What I’m Reading: 100 Bullets vol. 12 (Azzarrello / Rizzo)

What I’m Playing: – State of Decay on Xbox, (in three days) Last of Us on PS3.

Tuesday, 1 January 2013

My Five Favourite Films (2012 Apocalyptic Edition)

It's been a few years since I've done this (apathy and post-holiday food comas prevented me from doing it last year - my first on Blogger), but in what (used) to be an (semi) annual tradition, I would list my five favourite films from the past year. Note: This doesn't mean these aren't the five *best* films I saw in theaters over the year (That is to say they may not be the Battleship Potemkin), but these are the five films that - for whatever reason - engaged me the most over the past calendar year.

So, with that needless disclaimer out of the way, here we go:

5. Wreck-It Ralph - From the moment I spied the first trailers for this Pixar-esque outing from Disney animation about an '80s video game villain (voiced by the indomitable John C. Reilly) who grows tired of being the bad guy, I had a feeling that it was predestined that I would love this film. From the barrage of video game references (though even if you've never picked up a controller in your life, you'll still be able to enjoy it) to the heartfelt and honest script and add in some of the best voicework of recent memory (In particular, I'd like to praise dear, departed Wash himself - Alan Tudyk, as King Candy, the autocratic ruler of the Super Mario Kart-clone, Sugar Rush and Sarah Silverman as Vannelope Von Schweetz, the 'glitch' in the same game) and you've got a modern animated classic that reveres video games without mocking them - a rare feat for the increasingly-cynical Hollywood machine.
Geek Score: 9 out of 10 Bacon Strips

4. The Dark Knight Rises - Probably my most-anticipated film coming in to 2012 (indeed, one of my most-anticipated films, period, since I saw its predecessor eight times in theatres) thankfully did not disappoint. In Christopher Nolan we trust. I was never worried for a second. Tom Hardy's Bane is a suitably imposing villain for Chistian Bale's Batman and - weird pacing issues aside - the Nolan Bat-trilogy comes to a close in spectacular fashion. I've said it before and I'll say it again - the Chris Nolan Batman trilogy ranks as one of the greatest movie trilogies of all-time. Now please, Warner Brothers, no matter how much he may try to convince you, Brett Ratner must *not* direct the next Batman movie. I beg you, for the sake of my sanity.
Geek Score: 9 out of 10 Bacon Strips

3. Skyfall - I wasn't sure what to think heading in to Skyfall. On the one hand, Casino Royale was awesome and Daniel Craig was unquestionably fit to wear 007's fine, tailored suits. But on the other hand, Quantum of Solace was a muddied snoozefest and Sam Mendes was not exactly well-known for directing action movies. As it turns out, my trepidations were completely unnecessary as Mendes provided us with one of the (if not *THE*) best Bond films in the half-century history of the franchise - a ballsy, gritty take that paints Bond as raw - indeed, as human - as he's ever been before. The action sequences are top-notch and Javier Bardem's Silver will go down in the pantheon as one of the best Bond-villains of all-time. Menacing, yet sympathetic, he's truly an electric character and a joy to watch.
Geek Score: 9 out of 10 Bacon Strips

2. The Avengers - You're likely not surprised to see this film on my list, especially given the amount of ink I've given it throughout the year (you may recall in my post where I talked about The Avengers box-office prospects, I extrapolated data that led me to believe the film would end up with $626 million. ... I missed it by 2.5 million. #humblebrag). Marvel's dedication to building a persistent world with their varying franchises was well-served and the film was, truly, everything my inner comic book nerd hoped it would be. It's not dark and twisty like Nolan's Bat-franchise, but it's loud, bombastic, and simply fun to watch. Joss Whedon did a remarkable job and I can't wait for the next one.
Geek Score: 10 out of 10 Bacon Strips (Golden Bacon Award!)

1. Looper - Surprised? To be honest, I am a little bit, too - as I was compiling this list in my head over the past few days, I just assumed that The Avengers would be number 1. Looper would be *on* the list, certainly, but to supplant Whedon's superhero juggernaut? It almost didn't make sense to me. Until, suddenly, it did. Much like this film itself - it's accessible, but at the same time, challenging. The more I thought about it, the more I realized that no other film this past year had me talking about it more - my friends and I debated it ad nauseum. "What did (spoiler) mean?" "Does the ending work for you?" "What manner of time-travel theory does the film most likely ascribe to?" That is the sign of a truly engaging - and deeply-entertaining - film. It's one of the most daring, inventive Sci-Fi films to come out in years and it challenges you to repeated viewings - almost daring you to try and pick it apart. Director Rian Johnson's previous work includes the criminally-underrated Brick (Also recommended - seek it out if you haven't seen it), which takes a Dashiell Hammett murder-mystery and sets it in a modern, 21st-Century high school, so this was something of a departure for him. The bottom line, though is that he spun a masterful story with an intelligent script, highlighted by great acting by Joseph Gordon-Levitt and Bruce Willis. This was my favourite film of 2012.

Geek Score: 10 out of 10 Bacon Strips (Golden Bacon Award!)

- EP